{"id":76547,"date":"2026-01-09T13:31:14","date_gmt":"2026-01-09T18:31:14","guid":{"rendered":"https:\/\/comisionfilmicacolombia.com\/?p=76547"},"modified":"2026-01-19T13:31:57","modified_gmt":"2026-01-19T18:31:57","slug":"the-night-manager-season-2-starring-tom-hiddleston-filmed-in-colombia-with-the-cina-incentive","status":"publish","type":"post","link":"https:\/\/comisionfilmicacolombia.com\/en\/the-night-manager-season-2-starring-tom-hiddleston-filmed-in-colombia-with-the-cina-incentive\/","title":{"rendered":"Tom Hiddleston in The Night Manager S2, filmed in Colombia with the CINA Incentive"},"content":{"rendered":"<p>On January 11, the second season of this series starring Tom Hiddleston, filmed in Colombia and a beneficiary of the CINA incentive, will premiere on Prime Video.<\/p>\n<p><span dir=\"auto\">Since its implementation, the <strong>Transferable Tax Credit (CINA) has become a key driver for Colombia\u2019s audiovisual industry<\/strong>, supporting the development of more than 165 international productions. These projects have generated investments exceeding COP 3.4 trillion and have created over 130,000 direct jobs, positioning the country as a regional benchmark in competitiveness for audiovisual production.<\/span><\/p>\n<p><span dir=\"auto\">In 2025, the incentive further confirmed its impact with the approval of 32 projects that filled the entire available quota, spanning formats such as feature films, series, reality shows, video games, post-production, and animation. Among the recent titles supported by CINA is the second season of <\/span><strong><em><span dir=\"auto\">The Night Manager<\/span><\/em><\/strong><span dir=\"auto\">, scheduled to premiere on Prime Video on January 11. \u201c<\/span><em><span dir=\"auto\">Coming to Colombia was a huge decision. The tax incentive is very favorable for productions coming to the country, which made everything much easier and had a significant financial impact on the series,<\/span><\/em><span dir=\"auto\">\u201d shared the show\u2019s executive producer, Matthew Patnick.<\/span><\/p>\n<p><span dir=\"auto\">Barry Ryan, Head of Production at Ink Factory and also a producer on the first season, told <\/span><em><span dir=\"auto\">Variety<\/span><\/em><span dir=\"auto\"> that more than 75% of the story is set in Colombia. After meeting with AG Studios, led by Colombian producer <\/span><span dir=\"auto\">Rodrigo Guerrero<\/span><span dir=\"auto\">, the project took definitive shape. Filming was carried out with a crew largely made up of local talent (326 people across technical and artistic teams) and took place in Girardot and various locations in Cundinamarca, Cartagena, and the Aburr\u00e1 Valley in Antioquia. With the exception of some highly specialized camera equipment, the production relied on rented technical infrastructure through Congo Films, a Colombian rental house, sales company, and film school.<\/span><\/p>\n<p><em><span dir=\"auto\">\u201cI loved the way Rodrigo approached the production, but also how he treated people, the way he took care of his crew\u2026 He has extensive experience across different productions, is very level-headed, and is very proud of Colombia. He\u2019s an incredible ambassador for the country,\u201d<\/span><\/em><span dir=\"auto\"> Barry Ryan added to <\/span><em><span dir=\"auto\">Variety<\/span><\/em><span dir=\"auto\">.<\/span><\/p>\n<p>AG Studios has been involved in the development and production of outstanding audiovisual projects across both film and television, including <strong>Los iniciados<\/strong> by Juan Felipe Orozco, <strong>Los iniciados: el diario de las sombras<\/strong> by Carlos Moreno, <strong>Long Shot<\/strong> by Jonathan Levine, and <strong>Jungle<\/strong> by Greg McLean, as well as the series <strong>Estado de Fuga<\/strong>, <strong>Los Billis<\/strong>, and <strong>La reina del sur<\/strong>.<\/p>\n<p>In <strong><em><span dir=\"auto\">The Night Manager<\/span><\/em><\/strong>, Jonathan Pine (Tom Hiddleston) embarks on a new mission in Colombia to stop dangerous arms dealer Teddy Dos Santos (Diego Calva) and his seductive partner Roxana Bola\u00f1os (Camila Morrone). After infiltrating Teddy\u2019s operation, Pine uncovers a web of secrets and corruption. Will he manage to stop the conspiracy in time?<\/p>\n<p><span dir=\"auto\">Other titles that have also benefited from the Transferable Tax Credit (CINA) and are scheduled for release in 2026 include the second season of <\/span><strong><span dir=\"auto\">One Hundred Years of Solitude<\/span><\/strong><span dir=\"auto\">, produced for Netflix, as well as a documentary dedicated to Colombian footballer James Rodr\u00edguez, which will also premiere on the platform.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On January 11, the second season of this series starring Tom Hiddleston, filmed in Colombia and a beneficiary of the CINA incentive, will premiere on Prime Video. Since its implementation, the Transferable Tax Credit (CINA) has become a key driver for Colombia\u2019s audiovisual industry, supporting the development of more than 165 international productions. These projects [&hellip;]<\/p>\n","protected":false},"author":1144,"featured_media":76474,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[35,834],"tags":[],"class_list":["post-76547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-incentives-news","category-serie"],"acf":[],"_links":{"self":[{"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/posts\/76547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/users\/1144"}],"replies":[{"embeddable":true,"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/comments?post=76547"}],"version-history":[{"count":0,"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/posts\/76547\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/media\/76474"}],"wp:attachment":[{"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/media?parent=76547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/categories?post=76547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/comisionfilmicacolombia.com\/en\/wp-json\/wp\/v2\/tags?post=76547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}