Operations in Los Angeles, New York, Miami and Colombia.

I started mixing and recording live music twelve years ago and have been working as a professional sound editor, boom operator and mixer for film for ten years with a multitude of brands developing all angles of sound for media, from commercials to the big screen, my career has been built through a broad range of clients, such as MTV, Netflix, Polygram Entertainment, NBCUniversal, Asylum Entertainment, YouTube Music, E! Entertainment, Lifetime Movies, and many more across the globe.

My recent credits include the feature films Amparo (d.Simón Mesa Soto, 2021), Rancho (d.Andrés Torres, 2022), BandKids (d.Katherine Propper, 2023) and Cocaine Godmother (d.Guillermo Navarro, 2017), the documentaries Mixtape (d.Omar Acosta, 2022), Kotcheff: Working Life (d.Alexandra Kotcheff, ????), Hooligans Symphony (d.Raphael Lubczanski, 2022) and J Balvin – Redefining Mainstream (d.Andrew Hines, 2018).

If you are looking for someone who can not only keep up with your actors but also hide lavalier microphones well, be on time recording dialogue with a boom and do it all without leaving a shadow, I'm your guy. Or you may be looking for someone who can give clarity to your dialogues recorded on set, who build and synchronize backgrounds, sound effects and create sounds that bring realism and give life to your projects fulfilling the international normative and requirements, I can be your guy too.

​As a production sound mixer and sound designer for visual media, I pride myself on maintaining a workflow that maximizes productivity on set or in the editing room combined with effective equipment and media management that eliminates confusion and clutter.

Definitely would love to learn more about your production and post-production needs and how I can help to bring your story to life!